This is a miniature version of the barril de bomba, the kind of drum used in performances of the Afro-Puerto Rican musical tradition known as bomba. While bomba can be used as the generic name for a number of rhythms, its real meaning is about the encounter and creative relationship between dance

In Puerto Rico, the traditional center of lace making is the town of Moca. There, lace is made by hand on bobbins and is known as mundillo. Bobbin lace is a complicated process of weaving together different spools of thread held in place by pins. Lace making today is undergoing a resurgence of po

This variety of maracas, made of cow leather and sinew, is used in musical genres like guaracha, son, and salsa. They are of different sizes, so that one is pitched higher and the other, lower. In contrast, the Afro-Puerto Rican musical tradition known as bomba uses a larger, single

Lace-making and sewing were more than utilitarian projects. They allowed young girls to express themselves artistically while learning discipline and attention to detail. This embroidered linen and lace pillow sham belonged to Miguel Roses at the turn of the 20th century. Bird and flower designs

The yo-yo maraca is a Puerto Rican novelty that unites both a spinning top and a musical instrument of native origin called a maraca. The name "yo-yo" is a misnomer, since the toy functions like a spinning top.

This intricate handmade lace baby cap dates from the turn of the 20th century and was probably worn for a baby's christening. The baptism of newborns is both a religious and a social ceremony, strengthening ties among members of a community. Compadrazgo, the special relationship between

Although introduced by Spanish settlers, the island's carnival celebrations, like mask making, music, and public performance, have developed into uniquely Puerto Rican traditions that also reflect the customs and sensibilities of Puerto Ricans' African ancestors. This carnival mask pictured here

Carnival celebrations featuring performers dressed as devils are found in Puerto Rico and the rest Latin America. The presence of these characters during Carnival is understood by many as an ancient reference to the contest between good and evil. The devilish mask pictured here was made for the

This elaborate mask, made around 1980, is painted in red and black, the colors of the city of Ponce. Masks like this are typically worn by young men from the neighborhood, who don the costume of a vejigante, a character who roams the streets during Carnival, playfully scaring children an