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History Explorer Results (23)
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Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
9/25/2009
The evolving civil rights movement of the 1950s, 1960s, and 1970s revolutionized the consciousness of young people across the United States. As in African American communities, a new sense of mobilization spread among Mexican Americans. Many adopted a more political identity—chicano an
Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
9/25/2009
Following the Treaty of Guadalupe Hidalgo and the annexation of Texas, the land claims of many Mexican families were not respected, either by the new English-speaking settlers or by the U.S. government. Dispossession from family- and community-owned lands dealt a severe economic blow to the livel
Grade Range:
K-12
Resource Type(s):
Artifacts
Date Posted:
9/20/2009
From doo-wop and country blues, to polka and hip-hop, Tejano music is made by borderland musicians forced to understand the value of cultural exchange. Performing a fusion of cumbia, pop, and contemporary Tejano music, Selena Quintanilla-Pérez (1971-1995) was a young star whose rise and hard-won
Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
9/17/2009
The civilizations of pre-Hispanic Mexico recorded their histories, religious beliefs, and scientific knowledge in books called codices. Codices are folded pieces of hide or bark that depict both mundane and spiritual scenes with images, symbols, and numbers. Scribes and painters busily recorded d
Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
9/17/2009
The image shown here represents El Santo Niño de Atoche, a depiction of the Christ child common throughout Mexico and the American Southwest. Made by Rafael Aragón in Santa Fe, this particular image is from a retablo, a kind of Catholic devotional art. Aragón came from a family of santeros
Grade Range:
4-12
Resource Type(s):
Reference Materials
Date Posted:
6/4/2009
Students will learn about the virtually simultaneous introduction of English, French, and Spanish culture to this vast area and tells the stories of Native and European societies through 1700. Downloadable PDFs are included to relate the themes addressed in the exhibition to standards of learning
Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
2/19/2009
Although introduced by Spanish settlers, the island's carnival celebrations, like mask making, music, and public performance, have developed into uniquely Puerto Rican traditions that also reflect the customs and sensibilities of Puerto Ricans' African ancestors. This carnival mask pictured here
Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
12/18/2008
This is a Bata Cubana, or Cuban Rumba dress, donated to the Smithsonian by Celia Cruz, the great Cuban salsa singer in 1997. An adaptation of the traditional Cuban rumba dress, it was made in the United States by Cuban-born designer José Arteaga. The Bata Cubana has its roots in the 19th century
Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
11/14/2008
Laying the groundwork for the Chicano movement of the 1960s, organizations like the American G.I. Forum began advocating on behalf of Hispanic veterans who were denied the educational, health care, housing, and other rights guaranteed by the G.I. Bill. Often working in concert with the League of
Grade Range:
K-12
Resource Type(s):
Artifacts, Primary Sources
Date Posted:
11/6/2008
This print shows American forces attacking the fortress palace of Chapultepec on Sept. 13th, 1847. General Winfield Scott, depicted in the lower left on a white horse, led the southern division of the U.S. Army that successfully captured Mexico City during the Mexican American War.
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