Throughout the 1800s, homegrown American scientists and inventors were a source of pride for the fledgling republic, which was rapidly surpassing Great Britain and the rest of Europe as a hotbed of industrial activity. The period also coincided with the peak of the Romantic Period in art, music,

“Maybe this painting looks familiar. A long row of red-coated soldiers. A cloud of gun smoke engulfing the street. Falling bodies. But not every depiction of the Boston Massacre puts an African American man at the center. Doing so asks for reflection, and not just because this painting is on a

Student activity collection analyzing the work of two very different Mexican American artists, identifying aspects of culture and exploring expressions about Latino experiences in art. Included in this collection, are five paintings highlighting Latino families, paired with observation and analys

  Our Founding Fragments video series gets up close and personal with historical treasures in the collection of the National Museum of American History. This is our fifth episode in the series, and in it our host Tory joins curator Dr. Margaret S

Search over 7.4 million records with 568,100 images, video and sound files, electronic journals and other resources from the Smithsonian's museums, archives & libraries.

In this episode of the History Explorer podcast series, Curator Shannon Perich discusses how portraiture can be used in historical research. Shannon presents three historical portraits (including Dorothea Lange's Migrant Mother), describing the historical context of each, while also providin

This online resource revisits the hobby of Paint by Number from the vantage point of the artists and entrepreneurs who created the popular paint kits, the cultural critics who reviled them, and the hobbyists who happily completed them and hung them in their homes. Students will learn ho

The French-born artist Jean Charlot spent his early career during the 1920s in Mexico City. His 1948 lithograph depicts a scene from the domestic life of a Mexican indigenous woman, a favorite theme of the artist. Household work-without the aid of most, if any, electrical appliances-was a full-ti

La Malinche, the title of this lithograph, was the indigenous woman who translated for Cortés between Maya, Náhuatl, and Spanish during his first years in Mexico. Considered either as a traitor or a founding mother by some Mexicans, La Malinche was Cortés' lover and the mother of his

The image shown here represents El Santo Niño de Atoche, a depiction of the Christ child common throughout Mexico and the American Southwest. Made by Rafael Aragón in Santa Fe, this particular image is from a retablo, a kind of Catholic devotional art. Aragón came from a family of santeros