“The attacks of September 11, 2001, shocked the nation. Nearly 3,000 people were killed and thousands more injured after Islamic extremists hijacked planes and flew them into the World Trade Center buildings and the Pentagon; a fourth plane, bound for D.C., was brought down by intervening passenge

Spark!Lab is a hands -on invention studio in the Smithsonian's National Museum of American History. Spark!Lab activities communicate that invention is a process, rather than a single “Aha!” moment; provide visitors with opportunities to explore the invention process and their own inventiveness;

A New Havel Motor brand pocket watch with black faceplate and radium painted numbers and clock hands. The watch case is made of plated metal and has a ridged winding mechanism at the top. "New Haven Motor" and "Radium" are printed in white lettering on the watch face.In the 1910s–1920s, radium was

The indications or uses for this product as provided by the manufacturer are: A valuable preparation for chapped lips, face and hands; minor burns and scalds; bites and stings of non-poisonous insects and all other conditions for which a soothing salve is useful. Learn more about the artifact!

Spend time exploring Globalization and Food, two topics from the Global Era.

Take a closer look at the Global Era topics of Finance and Discount Retail.

Dig deeper into the Global Era topics of Networks and Earnings.

In this post, readers will learn how fashion interacted with and reflected the Woman’s Suffrage movement of the early 1900s.  At the turn of the century, the tide of political change went hand-in-hand with the liberation of women’s bodies from corsets and close-fitting outfits.  An

In this post, readers will see what a Civil War-era lithograph reveals about life in a prisoner of war camp early in the Civil War.  The significance of the piece, however, lies both in that insight and in the contrast between living conditions in the camp in 1862 and in the later war years.

In this post, readers will investigate a few examples of drawings made by Plains Indians who, in the late 19th and early 20th centuries, were held in captivity by the U.S. Army at places like Fort Marion in Florida.  Curator Rayna Green describes how these images depict